A stage version by Christopher Hampton has been co-commissioned by the National Theatre and the Tamasha Theatre Company. It was also shortlisted for the PEN History Award, the Kiriyama Prize and the James Tait Black Memorial Prize. His previous book, White Mughals, garnered a range of prizes, including the prestigious Wolfson Prize for History 2003 and the Scottish Book of the Year Prize. He is the author of five books of history and travel, including the highly acclaimed best-seller City of Djinns, which won the 1994 Thomas Cook Travel Book Award and the Sunday Times Young British Writer of the Year Award. William Dalrymple was born in Scotland and brought up on the shores of Firth of Forth. It is the first account to present the Indian perspective on the siege, and has at its heart the stories of the forgotten individuals tragically caught up in one of the bloodiest upheavals in history.

The Last Mughal is an extraordinary revisionist work with clear contemporary echoes. William Dalrymple’s powerful retelling of this fateful course of events is shaped from groundbreaking material: previously untranslated Urdu and Persian manuscripts that include Indian eyewitness accounts, and the records of the Delhi courts, police, and administration during the siege. The Last Mughal is a portrait of the dazzling Delhi Zafar personified, the story of the last days of the great Mughal capital and its final destruction in the catastrophe of 1857. The Siege of Delhi was the Raj’s Stalingrad: a fight to the death between two powers, neither of whom could retreat. When Zafar gave his blessing to a rebellion among the Company’s own Indian troops, it transformed an army mutiny into the largest uprising the British Empire ever had to face. Then in 1857 Zafar’s flourishing capital became the centre of an uprising that reduced his beloved Delhi to a battered, empty ruin. Deprived of real political power by the East India Company, Zafar nevertheless succeeded in creating a court of great brilliance, and presided over one of the great cultural renaissances of Indian history. But while Zafar’s Mughal ancestors had controlled most of India, the aged Zafar was king in name only. As the British Commissioner in charge insisted, ‘No vestige should remain to distinguish where the last of the Great Moghuls rests.’ Bahadur Shah Zafar II, the last Mughal Emperor, was a mystic, a talented poet, and a skilled calligrapher. on a hazy November afternoon in Rangoon, 1862, a shrouded corpse was escorted by a small group of British soldiers to an anonymous grave in a prison enclosure.

The last mughal the fall of a dynasty